What Was The Lost Generation?

The "Lost Generation" defines a sense of moral loss or aimlessness apparent in literary figures during the 1920s. The phrase signifies a disillusioned postwar generation characterized by lost values, lost belief in the idea of human progress, and a mood of futility and despair leading to hedonism. World War I seemed to have destroyed the idea that if you acted virtuously, good things would happen. Many good, young men went to war and died, or returned home either physically or mentally wounded, and their faith in the moral guideposts that had earlier given them hope, were no longer valid...they were "Lost."

Although the description -- in its original sense -- only applied to survivors of the war who had been unable or unwilling to settle back into the routines of peacetime life, other writers eagerly adopted the catch phrase, using it more and more loosely until “The Lost Generation” came to signify the whole anonymous horde of young Americans abroad, particularly those with literary or artistic inclinations.

In A Moveable Feast by Ernest Hemingway, published in 1964 after both Hemingway and Stein were dead, Hemingway reveals that the phrase was actually originated by the garage owner who serviced Stein's car. She was unimpressed by the skills of a young car mechanic and asked the garage owner where the young man had been trained. The garage owner told her that while young men were easy to train, it was those in their mid-twenties to thirties, the men who had been through World War I, whom he considered a "lost generation" — une génération perdue. Stein, in telling Hemingway the story, added, "That is what you are. That's what you all are ... all of you young people who served in the war. You are a lost generation.”

When Hemingway heard the story at the rue de Fleurus, he decided to use the sentence "You are all a lost generation" (attributing it to Gertrude Stein) as an epigraph for his first novel, The Sun Also Rises, a story about the 'uncivilized', aimless lives of the very people M. Pernollet had in mind. Due to the book's tremendous success, the phrase was guaranteed enduring fame.

The novel serves to epitomize the post-war expatriate generation. However, Hemingway himself later wrote to his editor Max Perkins that the "point of the book" was not so much about a generation being lost, but that "the earth abideth forever"; he believed the characters in The Sun Also Rises may have been "battered" but were not lost.

Questions To Think About

Do you consider your generation to be "lost" as this generation was?

If these authors were still around today do you think they would consider your generation to be "lost" just as Gertrude Stein considered them to be?

Can you relate to any of these authors? If so which ones and why?

Sylvia Beach


Sylvia Beach born March 14, 1887 - died October 5, 1962 was born Nancy Woodbridge Beach in Bridgeton, New Jersey, and became one of the leading expatriate figures in inter-war Paris.

Her father was a Presbyterian pastor and his work took the family to Paris in 1901. Beach loved Paris, and went to live there permanently in 1916 after war work nursing. With her friend Adrienne Monnier she founded a bookshop, Shakespeare and Company, in November 1919, which became a focus for Americans. The bookshop became famous after it published James Joyce's Ulysses in 1922, as a result of Joyce's inability to get an edition out in English-speaking countries.

The bookshop was in difficulties throughout the depression of the 1930s, and was kept afloat by the generosity of her circle of friends, including Bryher. She was interned during World War II. The shop was symbolically liberated by Ernest Hemingway in person in 1944 but never re-opened.

A new bookshop founded in the 1950s by American W. Whitman (no relations to the poet) was granted permission by Sylvia Beach to use the name "Shakespeare & Company". It had a rocky history. Whitman did neither register nor pay taxes for many years. He was - like many other artists in trouble with Internal Revenue - saved by André Malraux.

In 1956 she wrote a memoir of the inter-war years, titled Shakespeare and Company, which is a must-read for anyone interested in the cultural life in Paris at the time. Contains excellent first-hand observations of D.H. Lawrence, Ernest Hemingway, Ezra Pound, T. S. Eliot, Valery Larbaud, Thornton Wilder, André Gide, Leon-Paul Fargue, George Antheil, Robert McAlmon, Gertrude Stein, Stephen Benet, Aleicester Crowley, John Quinn, Berenice Abbott, Man Ray, and many others. She remained in Paris until her death.

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